A documentary by Jochen Hick
Editor Thomas Keller
"...a documentary that manages to be inspiring, warm, sad, tragic and uplifting."
Special Mention Don Quijote Award, Queer Filmfest Weiterstadt
In theatres in Germany starting April 18, 2024 (pls. look for screenings with EN or combined EN/DE subtitles)
In cinemas now: Check here for theatres and dates (>in German)
Check release company site for theatres and dates (>Jetzt im Kino)
Distribution in Germany missingFilms
Instagram English & German
World premiere at Roze Filmdagen Amsterdam, 24.3.2023
German premiere at 57th Hofer Filmtage, 25.10.2023
German theatrical pre-premiere at Achtung Berlin Festival 2024, 10.-17.4.2024
Playing now on film festivals around the world. With English subtitles. German version with German subtitles. Subtitled versions in French, Spanish, Portuguese, Polish, Russian and eventually Arabic soon available.
Produced by
GALERIA ALASKA PRODUCTIONS
Co-produced by
Rundfunk Berlin-Brandenburg
Supported by
Medienboard Berlin-Brandenburg,
MFG Filmförderung Baden-Württemberg,
Deutscher Filmförderfonds and
MOIN Filmförderung Hamburg Schleswig-Holstein
Queer people from all over the world have made Berlin what it is today. Many leave their home because they want to, others because they have to. This film follows a few of them.
The queer universe of Berlin mirrors the movements of the world and is constantly
evolving.
In recent decades, a multitude of identities have made themselves heard. Today, gay and lesbian are only two terms among many.
QUEER EXILE BERLIN is the third part of the queer Berlin documentary trilogy following OUT IN EAST BERLIN (2013)* and MY WONDERFUL WEST BERLIN (2017).
Eunice from Portugal falls in love on a trip to the city at age 17 and moves there in 2017. Today she works in a Berlin night club and has started her transition process. Haidar from Syria received a student visa for Germany. He later applied for asylum in Germany and now works as a dancer and performer called "The Darvish". Jean-Ulrick, an artist born in Haiti and raised in New York, moves to Berlin in early 2000 and can't imagine living anywhere else. Mischa Badasyan, who was born in Russia but is of Armenian descent, has explored his body and sexuality in outstanding live performances and now engages with political movements beyond the queer community. Drag queen Gloria arrived in Berlin at the age of 6 and grew up in a politicized environment with her mother. As a seven-year-old, she was already at the first homosexual demonstration in Berlin with her mother. Monika fights as an activist in nearby Szczecin, Poland, for the fundamental human rights of queers. Berlin is a place of longing for her, but she does not want to abandon young queers in her home country.
In QUEER EXILE BERLIN we face the current political fights and intimate discussions of the queer scene which are translatable to straight and queer communities all over the world.
The film interweaves the personal stories and ambitions of the queer protagonists with historical events and current issues. The result is a true image of Berlin as a perpetual place of longing and a challenge to all those who arrive there. A city in constant transition.
How do you make a life in Berlin? Come and see for yourself!
* co-dir. A. Strohfeldt
Link to MY WONDERFUL WEST BERLIN
Link to Wikipedia
Link to OUT IN EAST BERLIN
Link to Wikipedia
Streaming at Sooner
"Following OUT IN OST-BERLIN and MEIN WUNDERBARES WEST-BERLIN, the third Berlin film QUEER EXILE BERLIN takes a look at Berlin today. It presents various queer ways of life, all of which tell of different origins, emotional challenges and perhaps of individual contradictions.
Berlin generates fascination and repulsion among new Berliners. At a time when queer life is increasingly coming under fire in many places, the film aims to paint a vivid portrait of queer Berlin and some of its political movements and debates that seem transferable to other places around the world.
With the help of inputs from the protagonists, the scenes for a film have been created that, as the festival screenings so far have shown, will hopefully continue to connect with as many viewers as possible and raise interesting questions."
Jochen Hick, March 2024
As a result of the 2008 financial crisis, many people from southern Europe have moved to the supposedly more economically stable Germany. Queer Italians, Portuguese, Spaniards and Greeks have chosen Berlin as their new home.
In line with the large refugee movements, many queer Syrians, Iraqis and Afghans have also come to Berlin in the last ten years. Due to the political developments in Turkey in recent years and the start of the war in Ukraine, queer people from these two countries have also increasingly fled to Berlin.
With the increasing tightening of anti-queer legislation in Russia, many Russian queers came to Berlin from the beginning of 2000, not least because there is a large Russian-speaking community there.
Since the fall of the Berlin Wall, the number of annual visitors to Berlin has quadrupled. Even events such as the atmosphere at the 2006 World Cup left some queer tourists with the feeling that Berlin could become an interesting place to live, perhaps a more relaxed alternative to their current lives in Paris, London, New York or elsewhere. Others want to spend their retirement in Berlin.
Regardless of the reasons why queer people come to Berlin, they have to deal with problems such as housing shortages, language difficulties, loneliness and job hunting just like all other new Berliners.
Corona hit Berlin in March 2020 with the first lockdown and was a painful turning point for the queer scene in particular, as many queer people tended to live alone or in families of choice. There was a sudden lack of meeting places, and not just for many new Berliners: Cafés, bars and parties. Everything that had previously made Berlin so desirable now seemed to have been turned into its opposite. There was a lot of loneliness, no jobs, drugs. Some queer people returned home to their families because they could no longer afford the city or urgently needed to start drug rehab.
In 2021, there were almost ten other Pride demonstrations in Berlin in addition to the big CSD parade. At the 'Stern-Marsch' (Star March) on June 25, 2021 alone, East Pride, QTIBIPOC United Pride and Queerschutz Now Demonstration met at Alexanderplatz, while Anarchist Pride, which took place on the same day, avoided Alexanderplatz. Other demonstrations such as Marzahn Pride and Trans Pride took place on other days.
Since 2013, theDyke* March Berlin has always taken place on the eve of the annual Berlin Pride parade. Alongside East Pride and Internationalist Pride, which also take place in summer, the Dyke* March Berlin (pictured below) is one of the largest queer demonstrations without the participation of formations from companies, political parties or associations.
Not only, but above all in Eastern European countries such as Hungary, Poland, Lithuania, Latvia and Russia, there have been an increasing number of Pride demonstrations or attempts to organize such demonstrations since 2000.
While they were practically never successful in Russia and were crushed by the authorities, a certain political transformation took place in the eastern and south-eastern EU states, often only for reasons of expediency in order to avoid financial disciplinary measures from Brussels.
Protgonist Monika Tichy was one of the organizers of the annual Pride demonstration in her hometown of Szczecin (Poland) for several years. Gloria Viagra (large photo above) and many Berliners try to support the Slubice-Frankfurt Pride, which takes place only about 100 km from Berlin, with their presence.
For many queer people in Europe and the rest of the world, the positive developments of recent years seem to be gradually reversing and living conditions are deteriorating again, despite apparent media representation. This also affects Germany and Berlin, where anti-queer violence is on the rise and right-wing conservative and far-right views against queer life are resonating.
Counter-demonstrators at the Slubice-Frankfurt Pride (photo below), which has been moving from the Polish border town of Slubice across the Oder rive bridge to Frankfurt/Oder for several years.
Until the mid-1990s, Berlin, Germany and the USA had their highest number of deaths from AIDS. It was also the time when protagonist:in Gloria Viagra had her coming out. For Jean-Ulrick Désert, who was living in New York at the time, it was the first major turning point in his life as a queer man. The introduction of combination antiretroviral therapy (ART) in 1995 brought the prospect of surviving AIDS and living with HIV for the first time. It took another 20 years before PreP (pre-exposure prophylaxis) was approved for the first time in Europe in 2016 (in the USA since 2012). Correct use offers 98% protection against HIV. So it took over 30 years before fear-free sex was possible again for many queer and gender-diverse people for the first time.
In 1993, an Act-Up demonstration took place during the World AIDS Congress in Berlin (photo below and film clips).
* footnote
** footnote
Eunice Franco, grew up in Lisbon, Portugal. She arrived in Berlin in December 2017 after being fascinated by the city on a previous summer trip. Back then she only knew two people in Berlin. Soon she met a circle of friends, going out and exploring Berlin's night life. She took cleaning jobs and worked in call centers and for various queer club events. Now she is constantly working at Trauma Bar. Eunice first started her transitioning process in Portugal but had to stop for personal reasons before she took a second chance in Berlin. In October 2021 she had her first sexual assignment surgery in Spain. Born in 1998, Eunice considers herself a typical Gen Z and is the youngest of six protagonists of the film.
Haidar Darwish (The Darvish) grew up in Latakia, Syria. During the peak of the Syrian war Haidar succeeded in receiving a student visa for Germany and came to Berlin in September 2016. Later on he applied for asylum as a LGBT person. Haidar works as a belly dancer, performer and event producer. Together with the drag artist and political activist Olympia Bukkakis he hosts the performance and party series QUEENS AGAINST BORDERS, together with the drag artist Judy LaDivina he host the party series YALLA HAFLA.
Gloria Viagra grew up near the Mosel river and in Cologne. She moved to Berlin with her mother as a child, lived with her in various women's shared flats and grew up in a left-wing politicized environment. Gloria's mother took her to many demonstrations, against the coup in Chile as well as to the first gay demonstration in Berlin in 1973. After a relatively late coming out, Gloria began her career as a political fag, today she is called a drag queen. She sees herself as the city's oldest drag queen still in service. Gloria moderates events, sings and performs and works as a DJane.
Jean-Ulrick Désert grew up in Port-au-Prince, Haiti and New York City, USA. Désert's art works vary in form: public billboards, actions, paintings, site-specific sculpture, video and art objects which engage with social and cultural practices. While living for a short while in Paris he visited Berlin in the mid 90ies during the wrapping of the Reichstag by Christo and fell in love with the city. He works as an conceptual and visial artist. After permanently moving to Berlin in 2002 he established his studio in Kreuzberg which for him is the one of the most queer and diverse neighbourhoods of Berlin. In his art performance piece NEGERHOSEN 2000 he processed a racist attack which happened in Berlin to him. Jean-Ulricks aim was always to earn his living by his artistic work. His financial abilities varied accordingly.
Monika Tichy, grew up in Szczecin, Poland and was raised in a catholic and conservative family. She married Kazik who moved to Berlin six years after their son Alan was born. Monika turned to feminism and political activism and became an important figure in Polish queer activism. She has been strongly involved in Lambda Szczecin, an LGBTQ+ organisation, which provides counselling and help to queer and trans people and their families. One of the main activities is the organisation of the yearly Szczecin Pride parade. Monika represented the Polish queer community on many Pride and LGBTQ* events all over Europe. Currently lives together with her son Alan and her girlfried and partner Nora in Szczecin but travels to Berlin frequently which she considers as her second home town.
Mischa Badasyan grew up in Rostov-at-Don (former USSR now Russia). A project of Aktion Sühnezeichen brought him to Germany at first. Being interested and active in social and activist topic already nach in Russia he studied social work in Dresden. He moved to Berlin where he worked as a social worker while he studied Kulturwissenschaften in Frankfurt/Oder. Mischa has worked a lot with immigrants and refugees, both in general asylum homes and one dedicated to LGBTQ* refugees only. Parallel to his ‚pay job‘ Mischa conducts his performances with an emphasis on one year long self exploring projects. In 2015 he did the performance project SAVE THE DATE in which he had to date a new person every single day for one entire year. Recently he moved into animal welfare, enviromental and food sharing projects and has distanced himself a bit from the queer subgroup.
Alyha Love, grew up in Long Beach, USA.
She moved to San Francisco where she joined the Bay Area party collective New World Dysorder which was founded in 2014. After moving to Berlin she met Eunice. In 2022 Eunice and Alyha got married.
Jochen Hick, born in Darmstadt. He grew up in the Taunus region, in Munich and in Stuttgart. Jochen studied film at Hamburg's Hochschule für Bildende Künste in the classes of the filmmakers Helke Sander, Rüdiger Neumann and Gerd Roscher. Since graduation, he has worked as a film director, author, journalist and producer for film and television, with a special focus on socio-cultural and LGBT topics. Some of his first documentaries and interview pieces were produced together with former BIFF (Bremer Institut Film Fernsehen). His first fiction film VIA APPIA (1990) had a decent theatrical release in the United States. In 1994 he created his own production company,
Galeria Alaska Productions
, with which he has produced a multitude of reports and documentaries for television stations ARD, ZDF/ARTE, 3sat, and Spiegel TV. Between 2007 and 2010, Jochen was the deputy program director and editor-in chief at TIMM, the first TV channel for gay men in the German-speaking world. He gives seminars at the DFFB film & television academy Berlin since 2011 and at other institutions. Between 2011 and 2023 Jochen worked on the queer Berlin film trilogy. QUEER EXILE BERLIN is the third part of the series. Jochen Hick's films were presented at far more than 300 international film festivals with many nominations and received a number of awards, including the advancement award by German Film Critics (1987) and the Teddy Award for best documentary (2003). Jochen is member of the German Film Academy and co-founder of the documentary web portal docfilm42.
1984 | Moon over Pittsburg (short) |
1987 | Gerd Hansen, 55 (short) |
1990 | Via Appia (feature film) |
1991 | Teufel im Paradies (documentary - co-author) |
1992 | Willkommen im Dom (short documentary) |
1995 | Menmaniacs – The Legacy of Leather (documentary) |
1998 | Sex/Life in L.A. (documentary) |
2000 | No One Sleeps (feature film) |
2003 | Talk Straight - The World Of Rural Queers (Ich kenn keinen – Allein unter Heteros) (documentary) |
2005 | Cycles of Porn – Sex/Life in L.A. 2 (documentary) |
2006 | Am Ende des Regenbogens (tv documentary - co-dir. Christian Jentzsch) |
2006 | Rainbow's End (tv documentary/documentary - co-dir. Christian Jentzsch) |
2006 | Hallelujah! (short) |
2007 | Deutschland – Ein Herbstmärchen (short) |
2008 | East/West – Sex & Politics (documentary) |
2009 | The Good American (documentary) |
2013 | Out in East-Berlin – Lesbians & Gays in the GDR (Out in Ost-Berlin - Lesben und Schwule in der DDR) (documentary - co-dir. Andreas Strohfeldt) |
2016 | The GDR Complex (Der Ost-Komplex) (documentary) |
2017 | My Wonderful West Berlin (Mein wunderbares West-Berlin) (documentary) |
2023 | Queer Exile Berlin (documentary) |
EUNICE FRANCO
MONIKA TICHY
THE DARVISH
MISCHA BADASYAN
JEAN-ULRICK DÉSERT
GLORIA VIAGRA
and
ALYHA LOVE
Abdulsalam Alan Pagoda, Melissa Alonso, Matthew Bianchi, Rita Biscaia Bråten, Bob, Fabio Bocchese, Olympia Bukkakis, Tsolmon Batsukh, Carra, Eve Champagne, Phoenix Chase-Meares, Antonella Lerca Duda, Kehinde Eshinlokun, Diego Iacovelli, Vanessa Garcia, Nasi Goreng, Wojciech Gronwald, Kai O Kaye, Judy Ladivina, Klaus Lederer, Mina, Teresa Moura, Nayme, Kazimierz Pagoda, Hellen Pietris, Orlando Portuando, Alexandraa Reyes, Pierre Renard, Nora Rodziewicz, Odiseo Rojo, Marius Sagao, Dor Schwartz, Shrek666, Daniel Simon, Tronicat La Miez, La Viola Vixen
Karl-Heinz Steinle
Thomas Keller
Jochen Hick & Lutz Reitemeier
Susanne Dzeik
Andreas Strohfeldt
Andreas Strohfeldt
Michael Fohler
Andreas Strohfeldt, Karl-Heinz Steinle
Jochen Hick
Peter Kolano
Andreas Strohfeldt, Gilles Lasnet
Christian Modersbach, Daniel Sander
Bernard Homann
Andreas Strohfeldt, Daniel Sander
Christian Modersbach, Conor O'Riordan
Mike Lindauer
Michael Kaczmarek – K13
Christoph Weber
Jochen Hick
Günter Thimm
Rolf Bergmann
Jochen Hick
Peaches, Vice Cooler, Feist
James Indigo, TSVO, Fag Town String Band
and many more
Rolf Bergmann, Daniel Saltzwedel, Carl Bergengruen
Annet Audehm, Maurica Baker, Wolfgang Beyer, Meike Bockelmann, Eva Boesenberg Brenn, Bulbul Bar, Alvin Collantes, Luis Costa, Clubcommission, CSD Berlin & Team, Desanove.pt, Anette Detering, Sven Diederich, Bettina Dziggel, Dyke* March Berlin, Mudar El Sheich Ahmad, Facialteam & HC Clinic Marbella, Fatal Flash, Frankfurt Slubice Pride & Team Galerie After the Butcher, Galeries Lafayette, Gay Church Berlin, Anja Geißen, GEGEN Berlin, Zoë Harris, Jan Heinrich, Wiebke Hoogklimmer, Marian Hudek, Humboldt Universität zu Berlin – Department of English and American Studies Daniel Jakobson, Lutz Leichsenring, Mahide Lein, Dorothea Löbbermann, Manuela Kay, Lambda Szeczcin & Team, Klaus Lederer, Mahide Lein Die Linke Berlin, Lilia Koss, LCavaliero Mann, Achan Malonda, Ocean Clinic Marbella & Team, Olha Olshanska, Alex May, Mina, Frank Nerlich, Neuköllner Oper & Team, Rui Palma, Prince Emrah, Queens against Borders, Queerberg & Team, Tobias Rieder Peep Shopping Night, Peter Rehberg, Chiara Ricciardi, Danilo Rosato, Daniel Sander, Nadja Schallenberg, Carsten Schatz, Schwules Museum Berlin, SchwuZ Club & Team, SO36 & Team, Gisela Sommer, Katrin Stolpe, Theater des Westens, Jörg Theil, Tipsy Bear Bar, Trauma Bar & Kino & Team, Karin Wallenczus, Village Berlin Viropraxis & Martin Viehweger
CSD Berlin, QTIBIPOC United, East Pride Berlin
Internationalist Queer Pride Berlin
Queer Anarchist Pride Berlin,
Dyke* March Berlin, Szczecin Equality March, Slubice-Frankfurt Pride
Moscow Pride, Warsaw Pride, Cracow Pride, Riga Pride, Budapest Pride
Mischa Badasyan, Haidar Darvish, Jean-Ulrick Désert
Eunice Franco, Teresa Moura, Monika Tichy, Gloria Viagra
rbb Fernseharchiv, Bart Staszewski, OKO.press, desanove.pt
Luis Costa, Rui Palma, Michael Stock, Wilfried Laule, Wieland Speck
Galerie Zwinger, Jochen Hick/Galeria Alaska Productions
GALERIA ALASKA PRODUCTIONS
RUNDFUNK BERLIN-BRANDENBURG
MEDIENBOARD BERLIN-BRANDENBURG
MFG FILMFÖRDERUNG BADEN-WÜRTTEMBERG
DEUTSCHER FILMFÖRDERFONDS
MOIN FILMFÖRDERUNG HAMBURG SCHLESWIG-HOLSTEIN
GALERIA ALASKA PRODUCTIONS / Jochen Hick
Galeria Alaska Productions
Jochen Hick
P.O. Box 201620
D-20206 Hamburg / Germany
Phone: +49-40-4208199
Fax: +49-30-91700254
mail@galeria-alaska.de
www.galeria-alaska.de
missingFilms
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Press contact: Christos Arivulis
Phone: +49-30-28529070
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verleih@missingfilms.de
Galeria Alaska Productions
Jochen Hick
P.O. Box 201620
D-20206 Hamburg / Germany
Phone: +49-40-4208199
Fax: +49-30-91700254
www.galeria-alaska.de
Jochen Hick
hick@galeria-alaska.de
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Galeria Alaska Productions
Jochen Hick
P.O. Box 201620
D-20206 Hamburg / Germany
Phone: +49-40-4208199
Fax: +49-30-91700254
www.galeria-alaska.de
Personal data means any information relating to an identified or identifiable natural person (“data subject”). An identifiable natural person is one who can be identified, directly or indirectly, in particular by reference to an identifier such as a name, an identification number, location data, an online identifier or to one or more factors specific to the physical, physiological, genetic, mental, economic, cultural or social identity of that natural person.
Data subject is any identified or identifiable natural person, whose personal data is processed by the controller responsible for the processing.
Processing is any operation or set of operations which is performed on personal data or on sets of personal data, whether or not by automated means, such as collection, recording, organisation, structuring, storage, adaptation or alteration, retrieval, consultation, use, disclosure by transmission, dissemination or otherwise making available, alignment or combination, restriction, erasure or destruction.
Restriction of processing is the marking of stored personal data with the aim of limiting their processing in the future.
Profiling means any form of automated processing of personal data consisting of the use of personal data to evaluate certain personal aspects relating to a natural person, in particular to analyse or predict aspects concerning that natural person's performance at work, economic situation, health, personal preferences, interests, reliability, behaviour, location or movements.
Pseudonymisation is the processing of personal data in such a manner that the personal data can no longer be attributed to a specific data subject without the use of additional information, provided that such additional information is kept separately and is subject to technical and organisational measures to ensure that the personal data are not attributed to an identified or identifiable natural person.
Controller or controller responsible for the processing is the natural or legal person, public authority, agency or other body which, alone or jointly with others, determines the purposes and means of the processing of personal data; where the purposes and means of such processing are determined by Union or Member State law, the controller or the specific criteria for its nomination may be provided for by Union or Member State law.
Processor is a natural or legal person, public authority, agency or other body which processes personal data on behalf of the controller.
Recipient is a natural or legal person, public authority, agency or another body, to which the personal data are disclosed, whether a third party or not. However, public authorities which may receive personal data in the framework of a particular inquiry in accordance with Union or Member State law shall not be regarded as recipients; the processing of those data by those public authorities shall be in compliance with the applicable data protection rules according to the purposes of the processing.
Third party is a natural or legal person, public authority, agency or body other than the data subject, controller, processor and persons who, under the direct authority of the controller or processor, are authorised to process personal data.
Consent of the data subject is any freely given, specific, informed and unambiguous indication of the data subject's wishes by which he or she, by a statement or by a clear affirmative action, signifies agreement to the processing of personal data relating to him or her.
Each data subject shall have the right granted by the European legislator to obtain from the controller the confirmation as to whether or not personal data concerning him or her are being processed. If a data subject wishes to avail himself of this right of confirmation, he or she may, at any time, contact any employee of the controller.
Each data subject shall have the right granted by the European legislator to obtain from the controller free information about his or her personal data stored at any time and a copy of this information. Furthermore, the European directives and regulations grant the data subject access to the following information:
Furthermore, the data subject shall have a right to obtain information as to whether personal data are transferred to a third country or to an international organisation. Where this is the case, the data subject shall have the right to be informed of the appropriate safeguards relating to the transfer.
If a data subject wishes to avail himself of this right of access, he or she may, at any time, contact any employee of the controller.
Each data subject shall have the right granted by the European legislator to obtain from the controller without undue delay the rectification of inaccurate personal data concerning him or her. Taking into account the purposes of the processing, the data subject shall have the right to have incomplete personal data completed, including by means of providing a supplementary statement.
If a data subject wishes to exercise this right to rectification, he or she may, at any time, contact any employee of the controller.
Each data subject shall have the right granted by the European legislator to obtain from the controller the erasure of personal data concerning him or her without undue delay, and the controller shall have the obligation to erase personal data without undue delay where one of the following grounds applies, as long as the processing is not necessary:
If one of the aforementioned reasons applies, and a data subject wishes to request the erasure of personal data stored by the GALERIA ALASKA PRODUCTIONS / Jochen Hick, he or she may, at any time, contact any employee of the controller. An employee of GALERIA ALASKA PRODUCTIONS / Jochen Hick shall promptly ensure that the erasure request is complied with immediately.
Where the controller has made personal data public and is obliged pursuant to Article 17(1) to erase the personal data, the controller, taking account of available technology and the cost of implementation, shall take reasonable steps, including technical measures, to inform other controllers processing the personal data that the data subject has requested erasure by such controllers of any links to, or copy or replication of, those personal data, as far as processing is not required. An employees of the GALERIA ALASKA PRODUCTIONS / Jochen Hick will arrange the necessary measures in individual cases.
Each data subject shall have the right granted by the European legislator to obtain from the controller restriction of processing where one of the following applies:
If one of the aforementioned conditions is met, and a data subject wishes to request the restriction of the processing of personal data stored by the GALERIA ALASKA PRODUCTIONS / Jochen Hick, he or she may at any time contact any employee of the controller. The employee of the GALERIA ALASKA PRODUCTIONS / Jochen Hick will arrange the restriction of the processing.
Each data subject shall have the right granted by the European legislator, to receive the personal data concerning him or her, which was provided to a controller, in a structured, commonly used and machine-readable format. He or she shall have the right to transmit those data to another controller without hindrance from the controller to which the personal data have been provided, as long as the processing is based on consent pursuant to point (a) of Article 6(1) of the GDPR or point (a) of Article 9(2) of the GDPR, or on a contract pursuant to point (b) of Article 6(1) of the GDPR, and the processing is carried out by automated means, as long as the processing is not necessary for the performance of a task carried out in the public interest or in the exercise of official authority vested in the controller.
Furthermore, in exercising his or her right to data portability pursuant to Article 20(1) of the GDPR, the data subject shall have the right to have personal data transmitted directly from one controller to another, where technically feasible and when doing so does not adversely affect the rights and freedoms of others.
In order to assert the right to data portability, the data subject may at any time contact any employee of the GALERIA ALASKA PRODUCTIONS / Jochen Hick.
Each data subject shall have the right granted by the European legislator to object, on grounds relating to his or her particular situation, at any time, to processing of personal data concerning him or her, which is based on point (e) or (f) of Article 6(1) of the GDPR. This also applies to profiling based on these provisions.
The GALERIA ALASKA PRODUCTIONS / Jochen Hick shall no longer process the personal data in the event of the objection, unless we can demonstrate compelling legitimate grounds for the processing which override the interests, rights and freedoms of the data subject, or for the establishment, exercise or defence of legal claims.
If the GALERIA ALASKA PRODUCTIONS / Jochen Hick processes personal data for direct marketing purposes, the data subject shall have the right to object at any time to processing of personal data concerning him or her for such marketing. This applies to profiling to the extent that it is related to such direct marketing. If the data subject objects to the GALERIA ALASKA PRODUCTIONS / Jochen Hick to the processing for direct marketing purposes, the GALERIA ALASKA PRODUCTIONS / Jochen Hick will no longer process the personal data for these purposes.
In addition, the data subject has the right, on grounds relating to his or her particular situation, to object to processing of personal data concerning him or her by the GALERIA ALASKA PRODUCTIONS / Jochen Hick for scientific or historical research purposes, or for statistical purposes pursuant to Article 89(1) of the GDPR, unless the processing is necessary for the performance of a task carried out for reasons of public interest.
In order to exercise the right to object, the data subject may contact any employee of the GALERIA ALASKA PRODUCTIONS / Jochen Hick. In addition, the data subject is free in the context of the use of information society services, and notwithstanding Directive 2002/58/EC, to use his or her right to object by automated means using technical specifications.
Each data subject shall have the right granted by the European legislator not to be subject to a decision based solely on automated processing, including profiling, which produces legal effects concerning him or her, or similarly significantly affects him or her, as long as the decision (1) is not is necessary for entering into, or the performance of, a contract between the data subject and a data controller, or (2) is not authorised by Union or Member State law to which the controller is subject and which also lays down suitable measures to safeguard the data subject's rights and freedoms and legitimate interests, or (3) is not based on the data subject's explicit consent.
If the decision (1) is necessary for entering into, or the performance of, a contract between the data subject and a data controller, or (2) it is based on the data subject's explicit consent, the GALERIA ALASKA PRODUCTIONS / Jochen Hick shall implement suitable measures to safeguard the data subject's rights and freedoms and legitimate interests, at least the right to obtain human intervention on the part of the controller, to express his or her point of view and contest the decision.
If the data subject wishes to exercise the rights concerning automated individual decision-making, he or she may, at any time, contact any employee of the GALERIA ALASKA PRODUCTIONS / Jochen Hick.
Each data subject shall have the right granted by the European legislator to withdraw his or her consent to processing of his or her personal data at any time.
If the data subject wishes to exercise the right to withdraw the consent, he or she may, at any time, contact any employee of the GALERIA ALASKA PRODUCTIONS / Jochen Hick.
This Privacy Policy has been generated by the Privacy Policy Generator of the German Association for Data Protection that was developed in cooperation with Privacy Lawyers from WILDE BEUGER SOLMECKE, Cologne.